And the power a certain composition of notes have, to overwhelm me with memories. I am fairly selective about the selections (pun totally unintended) on my playlist, so every entry is a quiet little victory, often attached to an emotional event of some sort, sometimes personal, sometimes gleaned from
This Conversation by The Submarines, of the sad, tender parting between X and I, of when I quietly brought up the subject we had been avoiding all along.
Soft Rock Star by Metric, of trying times in a large soulless corporation, to whom I was nothing more than a replaceable drone. Telling myself that there was no need to "shine before swine".
Crash Into Me by Dave Matthews Band, of MF dictating my music choices, and correctly so, in between ice cream, waffles and chicken chop at Madam Kwans.
The Hole In Your Roof by Augie March, of standing under a pitch black sky, beholding the full glory of the Milky Way.
Edge of The Ocean by Ivy, of standing on Cape Byron, of being blown away by the blueness, the infinity of it all, of God's glory and the beauty of this world.
Babylon by Angus and Julia Stone, of long Melbourne tram rides, of St Kilda, of moody skies and of long, long conversations with KG, with my heart in Queensland all the while.
Kite by U2, of lying on a golf course under a stormy sky in Pangkor, my friends by my side, my 16 year old heart having been crushed the first time.
Dancing In The Moonlight by Toploader, of that fateful trip to Sydney, of leaping up and down on the hotel bed in sheer exuberance.
Elevator Love Letter by Stars, of all the times I worked late into the night, compensating for someone else's incompetence/ love of coffee or cigarette breaks/ feigned illness. I am very glad to be rid of Malaysian work ethic. Hopefully for good.
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